The film, on the other hand, was on its way to fix this ending by actually giving fans a battle between the two teams, until the writers decided to stay true to the source material. In Breaking Dawn - Part 2 , the Volturi and the Cullens along with the Quileute wolf packs and other vampire allies meet in the snowy forest for a battle — but before they start beheading each other, Alice shares with Aro, the leader of the Volturi, her vision of the battle that is to come.
In it, Aro kills Carlisle, which triggers the fight. There are many casualties on both sides, most notably Jasper and the Clearwater siblings, as well as Aro himself thanks to the combined efforts of Edward and Bella. Although the Twilight film saga ended with Edward and Bella sharing memories and telling each other they will be together forever, that final scene would have had a lot more impact had the battle been real. Adrienne Tyler is a features writer for Screen Rant.
She is an Audiovisual Communication graduate who wanted to be a filmmaker, but life had other plans and it turned out great. I don't know if I "like" it or "hate" it, but I get it.
The Twilight films aren't as interested in coherency as they are in manufacturing an aching, yearning feeling in the audience. Every piece of dialogue from a main character in the Twilight saga is delivered like they are seconds away from violently climaxing or passing out from heat exhaustion. The much-discussed disinterest of Pattinson and Stewart is, as it turns out, exactly how these two characters should be played. Robert Pattinson and Edward Cullen want so badly to show more passion than they are currently allowed to show.
Stewart, meanwhile, is so good at playing a character who wants out of her own skin that people mistook it for genuine awkwardness. The Twilight films move heaven and Earth to ensure these two aggressively weird characters would quite literally die to bang but, for one reason or another, cannot bang for as long as possible. It's like edging filtered through the lens of Mormonism by way of PG supernatural horror, a description that makes no sense and is also objectively correct.
It's very often terrible. Bella Swan eats absolute shit off a motorcycle in New Moon and it's incredibly funny. But equally as often, Twilight is so earnestly confident in its aesthetic that it's endearing. It's beautiful. Except when it isn't. We gotta' discuss this baby thing. The context was crucial, because you have to understand Twilight has already taken some truly wild swings before you reach the end of Breaking Dawn - Part 1, but you're on board.
You've made it through the awkward Bryce Dallas Howard switcheroo, that one guy casually admitting he was in the Confederate army, and the most overtly problematic aspects of Jacob's emotional manipulation, and are still like, " hell yeah let's finish the saga.
The film keeps its PG rating by only letting you hear awful tearing sounds and screaming, which is inarguably worse. It was all a visceral vision of the future that clever clairvoyant Alice passed to Aro in that moment: Proceed with your plans, and it will mean certain death.
Shaken, the evil vampire retreats, and the good guys win, free of casualties. All the time. It was always a risk … the worst thing would be if people felt pissed off, like that season of Dallas where it was all a dream. Bring up the biggest kills in the sequence, and the filmmaker whose affinity for horror was indicated back in , when he helmed Candyman: Farewell to the Flesh starts giggling, a mischievous glint in his eye.
That was, I would say, the biggest thing I worked on for two years.
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